I don't normally do this but
here is the rough draft of my review of the outstanding film "Sound City", a documentary film from director/producer Dave Grohl. Yes, the musician. If this film is any indicator, he has a second career anytime he wants to pursue it. The final review will be posted on the film website I write for, www.TailSlate.net hopefully soon. The rating of 4 is the top rating we give.
[rating=4]
Starring: Dave Grohl,
Frank Black, Lindsey Buckingham, Kevin Cronin, Mick Fleetwood, John Fogerty,
Neil Giraldo, Barry Manilow, Rupert Neve, Stevie Nicks, Krist Novoselic,
Shivaun O’Brien, Keith Olsen, Tom Petty, Nick Raskulinecz, Trent Reznor, Ross
Robinson, Rick Rubin, Paula Salvatore, Sandy Skeeter, Tom Skeeter, Rick Springfield,
Butch Vig, Lee Ving and Paul McCartney
Director(s): Dave
Grohl
Writer(s): Mark
Monroe
“Sound City is where real men went to make music.” – Shivaun
O’Brien
Ms O’Brien was referring to the legendary recording studio
in Van Nuys that is the main focus of Sound City, an astonishingly awesome
documentary from director Dave Grohl.
Astonishing because Grohl, an incredibly talented musician, had no
experience with making movies before he took on this project. The finished product looks like it was made
by a master documentary filmmaker.
Anyone who has even a tiny bit of love for music needs to see this film.
In 1969, near the Busch Beer Gardens in Van Nuys, an
existing building was converted into a recording studio. In 1970, Tom Skeeter bought the studio and
that is where the story of Sound City Studios begins. Realizing that if they were going to attract
the best recording artists to Sound City, he borrowed $75,000 and ordered a
custom-made Neve console. The
combination of this console and the unique acoustics of Studio A created a
nearly perfect facility for making incredible music. Analog music.
In particularly, Sound City was renowned for the quality of the drum
sound it could capture. As one artist
being interviewed in the film says “once you’ve got the drums right, the rest
is easy”.
But it isn’t just the high quality recordings that are at
the heart of the story. The influence of
Sound City Studios on music from 1970 through its last days in 2011 cannot be
overstated. It was where the album
Buckingham Nicks was recorded. Then Mick Fleetwood came to town to make a
record but Bob Welch left the band.
Needing a guitarist and having heard Lindsey Buckingham on a track
played for him at Sound City, he invited him to join Fleetwood Mac. Buckingham agreed, on the condition that his
musical partner and girlfriend, Stevie Nicks could also join. The new lineup of Fleetwood Mac released the
self-titled album recorded at Sound City.
It sold over five million copies.
Listing all of the amazing artists who recorded albums at
Sound City Studios would take up the rest of this article’s available
space. Notables include Tom Petty and
the Heartbreakers, Neil Young, Rick Springfield and Foreigner. The studio was fully booked during the late
1970s and through much of the 1980s era of “hair bands”.
But by 1991 business had dried up and the studio was on the
verge of financial ruin. Enter a van
full of musicians who had heard of the legendary sound that could be captured
in Studio A. Nirvana recorded the album “Nevermind”
and launched a renaissance period for the studio. Paula Salvatore, who had been the studio
manager for years was no longer there and enter Shivaun O’Brien, who would
remain the manager until just before the studio closed for good in 2011.
One of the things that made Sound City Studios so unique was
that it was, in the words of several recording artists, “a sh**hole”. The brown shag carpet on the walls that had
been ‘hip’ in the 1970s was the height of tackiness in the 1990s. Years of spilled booze, too many cigarettes
and users basically not caring how they treated the place had taken its
toll. But no one cared about the
aesthetics. It was the music, not the
creature comforts that kept people in search of that analog sound coming.
Grohl has made a documentary that basically tells three
stories, using a linear structure of the studio’s history. There’s the story behind Sound City
Studios. There is the story of that
amazing Neve console, which Grohl himself owns today in his own private
studio. And there’s the story of the
film’s soundtrack, which is due out in March, with an amazing lineup of artists
and tracks.
But the real story, the real message of this terrific
documentary is that when the digital era of music was born, something was
lost. Digital music may be perfect, but
the humans who make that music are not infallible. It is that ability to be imperfect that gives
the best music its character and humanity.
Grohl gets this and that shows. He
said “my mission in making this film is to inspire people to go to a yard sale,
buy a used guitar and form their own garage band.”
Mission accomplished.
Many of the people, particularly young people, who see this film will be
in search of an axe as soon as the end credits are finished rolling. Well done, Dave Grohl.
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